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Dans les coulisses de « Lacrima », la couture au cœur du récit cousu main de Caroline Guiela Nguyen

Reportage dans les ateliers du Théâtre national de Strasbourg, où ont été créés les costumes et les robes de la pièce, qui a fait sensation à Avignon en 2024 et est reprise à l’Odéon, à Paris, à partir du 9 janvier.



This article focuses on Caroline Guiela Nguyen's play "Lacrima," which revolves around the creation of a lavish wedding dress for a British royal. The central conceptual idea is the exploration of the intricate relationship between art, labor, and social power dynamics, symbolized by the contrast between the glamorous dress and the often unseen "petite mains" (seamstresses) who painstakingly craft it.

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